| not suitable for a studio - or is it? |
How do you take studio photographs of agricultural machinery that’s up to six metres wide and 13,000 kg?
That was the challenge Echoes Marketing and Simba Great Plains gave me when they said that for Simba's new range of brochures they wanted to move away from the traditional working shot in an arable field, and show the cultivation equipment against a modern white backdrop.
That was the challenge Echoes Marketing and Simba Great Plains gave me when they said that for Simba's new range of brochures they wanted to move away from the traditional working shot in an arable field, and show the cultivation equipment against a modern white backdrop.
I called a few big photography studios, listened to them whistle down the phone and heard a variety of ways to say "no":
“sorry mate, it’s just too big”
"it's not going to fit through the doors"
“it will probably cut into our floor”.
So I went back to the clients and we hatched a plan to convert part of their factory floor into a working photography studio, capable of taking photos of these immense pieces of kit that are crisp and bright enough to reveal all the engineering details in print. No transport costs, no studio hire and no broken floorboards.
studio photography, without the studio
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| six days shooting means an awful lot of coffee |
| eight studio lights and 3m x11m paper backdrops turned the factory floor into a photographic studio |
| the floor was regularly mopped to remove tractor tyre marks |
| the next stage: using Photoshop, Echoes Marketing's graphic designer Dave Wilson removed all evidence of the factory |
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| another cleaned up shot ready for the design work |
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| one of six finished brochures featuring my photography (click the image to enlarge) |
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| another centre spread in print (click the image to enlarge) |
Ashley Taylor is our photographer and 3D Graphic artist. You can see more of his photography work on the Push Creativity website. If you've got a similar job you want to talk to him about, call him on 01673 843852.



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